Art Threads

Stitching my landscape

 

 

                                 Compton Verney

                                The Workshop at Compton Verney



I have been meaning to blog for quite sometime, firstly about the workshop I ran at Compton Verney which was two weeks ago.
It was a great pleasure to teach in such beautiful surroundings and everyone was inspired to create pieces all of which were individual, different and experimental.
The emphasis was on trying out new techniques while interpreting their own studies from sketch book work.


Last week I visited the  Pre-Raphaelites  exhibition at Tate Britain, a fantastic exhibition which includes many textile works including William Morris's four poster bed.
I admired the painting by William Holman Hunt inspired from verses of the poem by Alfred Lord Tennyson , The Lady of Shalott.

There she weaves by night and day
  A magic web with colours gay.
  She has heard a whisper say,
  A curse is on her if she stay
  To look down to Camelot.
  She knows not what the 'curse' may be,
  And so she weaveth steadily,
  And little other care hath she,
  The Lady of Shalott.

This vivid painting rich in colour, painted like a heavy Victorian tapestry depicts the Lady Of Shallot, tangled in her threads!


Tomorrow I will be joining in with the festive fun at The Herbert Art Gallery for the Making Merry which will have many handmade and vintage stalls.
I will be there to help my Mum on her vintage stall and I will display a few of my small brooches.

Then it will be back to working on larger pieces for my display "British Romantic Landscapes" at Fashion, Embroidery, Stitch in the NEC in March!

Inspired By Compton Verney

                      " Life Of Colour" a page from my sketch book.

Last week I spent several days at the art gallery Compton Verney, one day visiting the excellent Tapestry exhibition and then spending a few hours sketching in the beautiful grounds.
The colours of the tapestries struck me most of all; within the many pieces the threads have such a rich density of colour. There are no reflections from glass or oil paints, I relised why I love creating my work with a range of materials.
I admired the weavers craftsmanship combining different textures, weaves and yarns to recreate the artists original paintings and sketches. Some of these works of art which are on display show how closely the weavers interpret a painted surface.
Then on the Saturday I started teaching a two day art and textile workshop at the Compton Verney learning centre, the local landscape and exhibitions provided a wealth of inspiration.
I had the pleasure of meeting a lovely group of people who were very enthusiastic, due to this I am looking foward to next week to see where our creative journey takes us.

Back To Stitching

It's a return to stitching this week and my threads are now my paints.
I'm just taking my time to enjoy working experimentally, playing with my ideas and exploring the recent mark making in my sketch book.
I visited Compton Verney this week to see the Stanley Spencer exhibition which is featuring many of his English country gardens.
His work is incredibly detailed and gives us a romantic view of village life in the 1940's and 1950's.
 But if you look closely you will see many boundaries, fences, walls, hedges and barbed wire which protect these beautiful idyllic gardens, which is said to have been Stanley Spencer's heaven.
Perhaps subconsciously he is protecting this very English garden of Eden.
You can find out more about Stanley Spencer here http://www.stanleyspencer.org.uk/